Showing posts with label 83 of '83. Show all posts
Showing posts with label 83 of '83. Show all posts

Sunday, June 18, 2023

Counting down my Top 83 of '83: Bubbling Under Singles


Hope you enjoyed the Top 83 of '83 series countdown.  As mentioned in each post, I started with the 452 singles that peaked on Billboard Magazine's Hot 100 chart in 1983. An initial pass through those lists narrowed it down to 120 before deciding on the final 83.  But what of those other 37 singles that made the first cut but weren't selected for the final list?  Here they are, in alphabetical order:

"Automatic Man"Michael Sembello
"Baby, Come to Me"Patti Austin/James Ingram
"Bang the Drum All Day"Todd Rundgren
"Boogie Down"Al Jarreau
"Breaking Us in Two"Joe Jackson
"Come On Eileen"Dexys Midnight Runners
"Do You Wanna Hold Me"Bow Wow Wow
"Don't Change"INXS
"Don't Cry"Asia
"Dr Jeckyll and Mr Jive"Men at Work
"Everyday I Write the Book"Elvis Costello
"Feet Don't Fail Me Now"Utopia
"Foolin'"Def Leppard
"Gimme All Your Lovin'"ZZ Top
"Heartbreaker"Dionne Warwick
"I Don't Care Anymore"Phil Collins
"I Like It"DeBarge
"I'll Tumble 4 Ya"Culture Club
"Islands in the Stream"Kenny Rogers/Dolly Parton
"Jeopardy"Greg Kihn Band
"Lies"Thompson Twins
"Love On Your Side"Thompson Twins
"Memphis"Joe Jackson
"Mirror Man"Human League
"On The Loose"Saga
"Pass the Dutchie"Musical Youth
"Rainbow's End"Sergio Mendes
"Rockit"Herbie Hancock
"Safety Dance"Men Without Hats
"Salt in My Tears"Martin Briley
"Saved by Zero"The Fixx
"Sharp Dressed Man"ZZ Top
"Shock the Monkey"Peter Gabriel
"Tip of My Tongue"The Tubes
"Walking in LA"Missing Persons
"You and I"Eddie Rabbitt/Crystal Gayle
"You Are"Lionel Richie

Friday, June 16, 2023

Counting down my Top 83 of '83: Singles #10 - 1


A breakdown of my top singles from 1983



Human Nature
Michael Jackson
Weeks in Hot 100: 14
Peaked: September 17
Album: Thriller (Epic)


 U.S. Billboard charts:
 Hot 1007
 Adult Contemporary2
 R&B27

The best tune on the Thriller album. Yeah, I said it. The New York Times agreed with me, calling this tune the "most striking" song on the album. Written by Steve Pocaro, this sounds a lot like a Toto tune, but MJ's pleading vocals take it to another level.


Always Something There to Remind Me
Naked Eyes
Weeks in Hot 100: 22
Peaked: June 11
Album: Naked Eyes (EMI)

 U.S. charts:
 Hot 1008
 Adult Contemporary31
 Rock20
 Dance37

Synth-pop Bacharach? Count me in! I never tire of hearing the thing.  Back in '83, I bought a copy of the group's self-titled debut LP on the strength of this one song (and, let's be honest, the video on MTV). And I just listened to this cover version twice this morning.


Mornin'
Al Jarreau
Weeks in Hot 100: 15
Peaked: May 14
Album: Jarreau (Warner Bros.)

 U.S. charts:
 Hot 10021
 Adult Contemporary2
 R&B6

Man, this is one the best feel-good songs ever. Songwriter/producer Jay Graydon deserves a lot of the credit, but it wouldn’t be the same song without Jarreau. It's making this 1983 list even though I didn't fall in love with it until 1984 when I dubbed a copy of this album from a teacher's LP and was immediately a Jarreau fan. The tape got a lot of playing time in my car and my neighbors were often treated to my vocal stylings as I sang along (very loudly) with Jarreau. On a good day, I'd attempt the A at the end of the bridge of "Mornin'". When I saw Jarreau in concert in 1985, I couldn't wait for him to sing "Mornin'." He did and I wasn't disappointed.


She Blinded Me with Science
Thomas Dolby
Weeks in Hot 100: 22
Peaked: May 14
Album: The Golden Age of Wireless (Capitol)

 U.S. charts:
 Hot 1005
 Rock6
 Dance3

SCIENCE! The still-ubiquitous centerpiece of an album Musician magazine once called "the best damned record to come out of Europe's current fascination with synth-pop."


New Frontier
Donald Fagen
Weeks in Hot 100: 6
Peaked: February 19
Album: The Nightfly (Warner Bros.)

 U.S. charts:
 Hot 10070
 Adult Contemporary34

Before "New Frontier," I was a casual Steely Dan fan at best. I always enjoyed the songs "Peg" and "Time Out Of Mind" when I heard them on the radio, but I didn't own any SD records. So what led me to this little slice of pop/soft rock perfection by SD's Donald Fagen? Marketing, plain and simple. Being a radio and records guy, I was attracted to the cover photo of The Nightfly album and after I saw the video for "New Frontier," I was hooked. I soon had The Nightfly LP and anyone who rode with me in my car in 1983 was subjected to this song (it was for their own good, really).

Musically, this is a great piece with tight vocal harmonies, exotic chords (B9, F#6, C9+11, etc.), and great solos from Larry Carlton on guitar and Hugh McCracken on harmonica. The album version is 6'22", the single edit clocks in at 3'50" while the video is 4'44". Lyrically, the song takes us back to the Kennedy years and the beginnings of the Cold War. Not political at all, it simply uses that era as a backdrop as the lyrics tell the story of a teenage boy trying to lure his date down into a backyard fallout shelter for a night (or at least a few minutes) of passion. If I'd had a fallout shelter in my backyard in 1983, I'd have tried the same move.


Too Shy
Kajagoogoo
Weeks in Hot 100: 19
Peaked: July 9
Album: White Feathers (EMI)

 U.S. charts:
 Hot 1005
 Rock23
 Dance25

I liked this danceable New Romantic song from the get-go. Plus it was produced by Duran Duran's Nick Rhodes and that band's producer Colin Thurston? Sold! I had an import version of the full Kajagoogoo LP White Feathers back in high school. Guess what the best song on the album was.


Overkill
Men at Work
Weeks in Hot 100: 16
Peaked: June 4
Album: Cargo (Columbia)

 U.S. charts:
 Hot 1003
 Adult Contemporary6
 Rock3

Easily my favorite song from the exceptional Cargo album. Another great song that got a lot of playing time in my car in 1983. Of course, I would sing along and when Colin Hay sings the last verse up an octave, I would try to keep up with often hilarious results. Love the guitar solo.


Modern Love
David Bowie
Weeks in Hot 100: 13
Peaked: November 12
Album: Let's Dance (EMI)

 U.S. charts:
 Hot 10014
 Rock6

I've always thought of "Modern Love" and "Let's Dance" as being at the same level of awesomeness, but as I was making this list, "Modern Love" just kept creeping up so its appearance here at #3 surprises even me. But it ended up exactly where it needed to be. As Billboard wrote in its September 17, 1983 edition, "it's hard not to get swept away by Bowie's closest approximation yet to exhilarating joy. Also, it's got a good beat and you can dance to it."


Never Gonna Let You Go
Sergio Mendes
Weeks in Hot 100: 23
Peaked: July 9
Album: Sergio Mendes (A&M)

 U.S. charts:
 Hot 1004
 Adult Contemporary1
 R&B28

Heck, I could listen to this one all day and just might. I can't sing the high notes along with Joe Pizzulo and Leza Miller but that don't keep me from trying. Every time. For me, the whole self-titled 1983 album is one of those albums that is just okay, but if you first heard it at just the right time and place in your life that makes it a life-long favorite.

When I was teaching a group of undergraduates during the spring semester of 2010, a cell phone rang in class one day. The student's ringtone? "Never Gonna Let You Go." My reaction to this class interruption: "Oh my God, is that a Sergio Mendes ringtone?!?!"


Rio
Duran Duran
Weeks in Hot 100: 13
Peaked: May 14
Album: Rio (Capitol)

 U.S. charts:
 Hot 10014
 Rock5

The top track on a seminal New Wave album and the best thing Duran Duran ever released. Period.


All chart positions are peak positions from Billboard charts for 1983. These are my personal top 83 singles of those that peaked on the Billboard charts in 1983. The list is solely my opinion. Using Joel Whitburn's book, Pop Annual 1955-2005, I started with the 452 singles that peaked on Billboard Magazine's Hot 100 chart in 1983. An initial pass through that list narrowed it down to 120 tunes, then listening, ranking, and editing began. The top 83 are presented this week, in order.



Other lists of singles from My Favorite Decade:

Thursday, June 15, 2023

Counting down my Top 83 of '83: Singles 40-11


A breakdown of my top singles from 1983





Title
Artist
Pop
AC
Rock
R&B
Dance
40
"The Walls Came Down"
The Call
74

17


39
"Let Me Go"
Heaven 17
74

32

4
38
"Love is a Stranger"
Eurythmics
23



7
37
"Goody Two Shoes"
Adam Ant
12

7


36
"Love My Way"
The Psychedelic Furs
44

30

40
35
"Slipping Away"
Dave Edmunds
39

7


34
"The Look of Love (Pt. 1)"
ABC
18

32

1
33
"Should I Stay or Should I Go"
The Clash
45

13


32
"Burning Down the House"
Talking Heads
9

6

2
31
"Radio Free Europe"
R.E.M.
78

25





Title
Artist
Pop
AC
Rock
R&B
Dance
30
"In a Big Country"
Big Country
17

3

37
29
"Heart and Soul"
Huey Lewis & The News
8

1


28
"Photograph"
Def Leppard
12

1


27
"Reap the Wild Wind"
Ultravox
71

27


26
"Say It Isn't So"
Daryl Hall & John Oates
2
8
18

1
25
"Africa"
Toto
1
5



24
"Suddenly Last Summer"
The Motels
9
18
1


23
"1999"
Prince
12


4
1
22
"It's a Mistake"
Men at Work
6
10
27


21
"Wanna Be Startin' Somethin'"
Michael Jackson
5


5
1



Title
Artist
Pop
AC
Rock
R&B
Dance
20
"Every Breath You Take"
The Police
1
5
1

26
19
"All Night Long"
Lionel Richie
1
1

1
5
18
"Let's Dance"
David Bowie
1

8
14
1
17
"Heart to Heart"
Kenny Loggins
15
3



16
"(Keep Feeling) Fascination"
Human League
8

14

1
15
"Is There Something I Should Know"
Duran Duran
4

3

34
14
"Allentown"
Billy Joel
17
19
28


13
"One on One"
Daryl Hall & John Oates
7
4

8

12
"True"
Spandau Ballet
4
1
34


11
"This Must be the Place (Naïve Melody)"
Talking Heads
62



2





All chart positions are peak positions from Billboard charts for 1983. These are my personal top 83 singles of those that peaked on the Billboard charts in 1983. The list is solely my opinion. Using Joel Whitburn's book, Pop Annual 1955-2005, I started with the 452 singles that peaked on Billboard Magazine's Hot 100 chart in 1983. An initial pass through that list narrowed it down to 120 tunes, then listening, ranking, and editing began. The top 83 are presented this week, in order.

Wednesday, June 14, 2023

Counting down my Top 83 of '83: Singles #83 - 41


A breakdown of my top singles from 1983





Title
Artist
Pop
AC
Rock
R&B
Dance
83
"Electric Avenue"
Eddy Grant
2

12
18
6
82
"Beat It"
Michael Jackson
1

14
1
1
81
"Say Say Say"
Paul McCartney and Michael Jackson
1
3
24
2
2
80
"Industrial Disease"
Dire Straits
75

9


79
"Rock of Ages"
Def Leppard
16

1


78
"Don't Tell Me You Love Me"
Night Ranger
40

4


77
"All This Love"
DeBarge
17
1

5

76
"Our House"
Madness
7

9

21
75
"I Won't Hold You Back"
Toto
10
1



74
"White Wedding"
Billy Idol
36

4

10
73
"Sweet Dreams  (Are Made of This)"
Eurythmics
1
36
16

2



Title
Artist
Pop
AC
Rock
R&B
Dance
72
"Maniac"
Michael Sembello
1
34
34

6
71
"Time (Clock of the Heart)"
Culture Club
2
6

34
46
70
"Dirty Laundry"
Don Henley
3

1

47
69
"Lady Love Me (One More Time)"
George Benson
30
4

21

68
"Hungry Like the Wolf"
Duran Duran
3

1

36
67
"Hot Girls in Love"
Loverboy
11

2


66
"Do You Really Want to Hurt Me"
Culture Club
2
8
21
39
34
65
"Poison Arrow"
ABC
25



39
64
"Trouble in Paradise"
Al Jarreau
63
10



63
"Sex (I'm A...)"
Berlin
62

10

8
62
"Mexican Radio"
Wall of Voodoo
58

41





Title
Artist
Pop
AC
Rock
R&B
Dance
61
"China"
Red Rockers
53

19


60
"Cool Places"
Sparks & Jane Wiedlin
49



13
59
"The One Thing"
INXS
30

2


58
"Synchronicity II"
The Police
16

9


57
"This Time"
Bryan Adams
24

21


56
"Waiting for Your Love"
Toto
73
27



55
"I Do"
The J. Geils Band
24

5


54
"She's a Beauty"
The Tubes
10

1


53
"P.Y.T. (Pretty Young Thing)"
Michael Jackson
10
37


1
52
"Tell Her About It"
Billy Joel
1
1
17

38
51
"I Melt with You"
Modern English
78

7

60



Title
Artist
Pop
AC
Rock
R&B
Dance
50
"Church of the Poison Mind"
Culture Club
10

17


49
"Cuts Like a Knife"
Bryan Adams
15

6


48
"Europa and the Pirate Twins"
Thomas Dolby
67

37


47
"Space Age Love Song"
A Flock of Seagulls
30

59


46
"One Thing Leads to Another"
The Fixx
4

2

14
45
"Change"
Tears for Fears
73

22


44
"It Might Be You"
Stephen Bishop
25
1



43
"Promises Promises"
Naked Eyes
11
19


32
42
"Whirly Girl"
OXO
28




41
"Uptown Girl"
Billy Joel
3
2
22







All chart positions are peak positions from Billboard charts for 1983. These are my personal top 83 singles of those that peaked on the Billboard charts in 1983. The list is solely my opinion. Using Joel Whitburn's book, Pop Annual 1955-2005, I started with the 452 singles that peaked on Billboard Magazine's Hot 100 chart in 1983. An initial pass through that list narrowed it down to 120 tunes, then listening, ranking, and editing began. The top 83 are presented this week, in order.

Friday, January 20, 2023

Counting down the Top 83 of '83 - Albums #10 - 1

(or, more accurately, my favorite albums released in 1983)

Under a Blood Red Sky
U2

Produced by:Jimmy Iovine
Billboard 200:28
CashBox 200:19
Rolling Stone:6




 U.S. Billboard charted singles: Hot 100 Rock
 I Will Follow81
 Eleven O'Clock Tick Tock
30

Top 3 Tracks
"Gloria"
"Sunday Bloody Sunday"
"40"

One of the best live bands in the history of rock and roll released what they called a "mini-LP" live album for a "special low price" - 8 tracks, 35 minutes, $5.99. I'll go out on a limb here and call this U2's best album. Back when the band was in their early 20s and before Bono developed his God complex, they could really rock. U2 has always been about sound rather than songs and they sound really good here. My original cassette (which I still have) never left the Pioneer car stereo in the Markmobile in December of 1983. Around that time, in an effort to woo a girl named Gloria, I gave her a copy of the cassette and told her to listen to the song titled Gloria. Even back then I knew that was a lame idea. Needless to say, that effort didn't work.

Reviews from 1983:


90125
Yes

Produced by:Trevor Horn
Billboard 200:5
CashBox 200:4
Rolling Stone:1


 U.S. Billboard charted singles: Hot 100 RockDance
 Owner of a Lonely Heart113
 Our Song
32
 Changes
6
 It Can Happen515
 Leave It24329
 Hold On
43

Top 3 Tracks
"It Can Happen"
"Changes"
"Owner of a Lonely Heart"

Ah, the genius of Trevor Horn. He was at the height of his production powers during the early '80s. I still find things I've never heard before with each listen. Moving from full-fledged band member to behind the console, Horn rescued this prog-rock band from the brink of extinction and turned them into a successful pop-rock band. I'm not a fan of Jon Anderson's voice, but the songwriting and production are good enough that his nasal singing doesn't bother me that much. The album was simply titled after its Atco Records catalog number (for example, 7-90125-1 for the LP). The liner notes brag about the fact that the cover image was created "utilising Apple IIe 64 RAM micro-computer and Bitstik controller." Man, we've come a long way. 

Reviews from 1983:
  • Billboard: "should appease both old fans and potential new ones"
  • CashBox: "Call it synthpop or dance rock, the new Yes is definitely not the old art rock dinosaur of old."
  • Rolling Stone (★★★): "most of the album is surprisingly spritely and poppish."
  • Smash Hits (2 out of 10): "full of duff instrumentals and daft climaxes, without even two decent songs to rub together"
  • Stereo Review: "rococo rock - all ornamentation, no foundation"
  • Trouser Press: "a wide-eyed series of miniature rock operas, corny and quaint."


Can't Slow Down
Lionel Richie

Produced by:Lionel Richie & James Anthony Carmichael
Billboard 200:1
CashBox 200:1
Rolling Stone:2



 U.S. Billboard charted singles: Hot 100 AC R&B Dance Rock
 All Night Long (All Night)1115
 Running with the Night766
49
 Hello111

 Stuck on You318

 Penny Lover818


Top 3 Tracks
"All Night Long"
"Love Will Find a Way"
"Can't Slow Down"

I'm a sucker for good pop music and that's all this is. This was also the pinnacle of Richie's career. It won the Grammy for Album of the Year in 1985, beating out Prince's Purple Rain and Springsteen's Born In the USA (maybe those two albums split the vote?). I'm sure a lot of you would be able to sing along with most of the songs - I just can't help liking this over-produced, maudlin, sentimental album.

Reviews from 1983:
  • Billboard: "a change of pace"
  • Rolling Stone (★★★★): "masterfully synthesizing everything we love about Motown" 
  • Smash Hits (5 out of 10): "It's smooth soul with pop's singalong qualities which, though never surprising, is fairly satisfying."
  • Stereo Review: "full of high-quality, highly listenable songs"
  • Robert Christgau (B+): "this surprisingly solid album bids fair to turn into a mini-Thriller, and good for him--it's a real advance."


Let's Dance
David Bowie

Produced by:David Bowie, Nile Rodgers
Billboard 200:4
CashBox 200:4
Rolling Stone:1



 
 U.S. Billboard charted singles: Hot 100 RockDanceR&B
 Let's Dance18114
 Cat People (Putting Out Fire)
11

 Modern Love146

 China Girl10351
 Without You73


 Criminal World
31


Top 3 Tracks
"Let's Dance"
"Modern Love"
"Without You"

Throughout all his personae (Ziggy Stardust, Thin White Duke), David Bowie knew how to locate great musicians with which to collaborate: John Lennon, Iggy Pop, Marc Bolin, Brian Eno, Robert Fripp, Pete Townshend, Queen, Mick Jagger, Pat Metheny, etc. When he recorded this '80s classic, Bowie not only teamed up with the great Nile Rodgers to produce, he also recruited an up-and-coming blues guitarist from Texas, Stevie Ray Vaughan, to play lead (both Rodgers and Vaughan have already appeared on this list). Put them together with Rodger's former band members in Chic: Tony Thompson and Bernard Edwards (among others) and you've got one helluva backing band. While he was being accused of selling out, I think he put together an innovative work at the intersection of post-disco, new wave, and soul. 

Reviews from 1983:
  • Rolling Stone (★★★★): "Bowie cuts a rug, and cuts the crap."
  • Stereo Review: "somewhere in these grooves is the Next Big Thing."
  • Trouser Press: "a pop record that simply bleaches the competition."
  • Smash Hits (6½ out of 10): "So what? Everyone makes the odd dull album."
  • Robert Christgau (B): "Rodgers & Bowie are a rich combo in the ways that count as well as the ways that don't"


The Luxury Gap
Heaven 17

Produced by:British Electric Foundation and Greg Walsh
Billboard 200:72
CashBox 200:97
Rolling Stone:-




 U.S. Billboard charted singles: Hot 100 DanceRock
 Let Me Go74432
 Who'll Stop the Rain
36
 Temptation
34
 We Live So Fast10234
 Crushed by the Wheels of Industry
34

Top 3 Tracks
"Crushed by the Wheels of Industry"
"Temptation"
"Let Me Go"

Fun, danceable Synthpop meets Britfunk. This was the band's sophomore effort and while a group's second album normally isn't as good as the first, that isn't the case here. In fact, the band actually takes it up a notch here by adding strings, piano, and a horn section to the band's synth and Linndrum sound. The writing improved as well. Allmusic.com calls this "one of the seminal albums of the British new wave." I concur.

Reviews from 1983:
  • Rolling Stone (★★★½ ): "Humanity, of all things, is the critical advantage that British synth-pop trio Heaven 17 enjoys over most of its technopeers."
  • Smash Hits (8½ out of 10): "by turns entertaining, irritating, danceable, thoughtful and downright daft"
  • Stereo Review: "makes it possible to dance to some of today's most pressing social issues"
  • Trouser Press: "one hell of a band"
  • Robert Christgau (B+): "Nowhere else in music or sociology will you learn so much about the would-be hedonists who live the technopop/Anglodisco life."


City Kids
Spyro Gyra

Produced by:Jay Beckenstein and Richard Calandra
Billboard 200:66
CashBox 200:70
Rolling Stone:-


 
Top 3 Tracks
"City Kids"
"Nightlife"
"A Ballad"

After falling in love with this band's Latin-flavored funk-lite/smooth jazz/instrumental pop sound in 1982 with their Incognito release, I wasted no time picking up this album as soon as it was released. Wore out the grooves. Literally.

Review from 1983:


Backstreet
David Sanborn

Produced by:Marcus Miller, Ray Bardani, Michael Colina
Billboard 200:81
CashBox 200:76
Rolling Stone:-


Top 3 Tracks
"I Told U So"
"A Tear for Crystal"
"Neither One of Us"

In the early to mid '80s, I was a big Sanborn fan and listened to him often in high school. I always think that particular period of his career, when he teamed up with Marcus Miller, was his best era and this smooth jazz release fits into those years. A great late-night album. With ten of my school friends, I saw both Sanborn and Spyro Gyra that fall at the Kool Jazz Festival stop in Houston:


Such adventures may have had an influence on these Spyro Gyra and Sanborn albums' high rankings in this countdown, but who the hell knows? It probably has more to do with the fact that I played them all the time.

Reviews from 1983:
  • Billboard: "straightforward pop and soul melodies framed by taut rhythm work and lush keyboard and vocal as foils for Sanborn's signature alto sax phrases"
  • Stereo Review: "expert but too long"


An Innocent Man
Billy Joel

Produced by:Phil Ramone
Billboard 200:4
CashBox 200:5
Rolling Stone:2




 U.S. Billboard charted singles: Hot 100 ACRockDance
 Tell Her About It111738
 Uptown Girl3222
 An Innocent Man101

 The Longest Time141

 Leave a Tender Moment Alone271

 Keeping the Faith183


Top 3 Tracks
"Uptown Girl"
"The Longest Time"
"Tell Her About It"

Released just before my senior year in high school, this album was purchased on or near the date of release. Being single for the first time since he was a teenager, Joel paid tribute to popular music of his youth here, with homages to soul and doo-wop music. After the somber, Beatlesque album The Nylon Curtain, this album was a complete change of direction and became Joel's second most successful album after The Stranger. Joel was happier and it shows in this infectious music. I was growing out of my teenage angst years around this time and was much happier myself, so this album got a lot of playing time as it suited my general mood around that time (senioritis).

Reviews from 1983:
  • Billboard: "The songs capture the innocence and charm of late '50s and early '60s pop while still sounding fresh and vital."
  • CashBox: "undoubtedly the artist’s best musical work in some time"
  • Rolling Stone (★★★½): "an affectionate, spirited paean to an undefiled past that's truly forever"
  • Stereo Review: "confirms Billy Joel's pop -music artistry and stylistic mastery."
  • Robert Christgau (B+): "A good half of these songs have the timeless melodic appeal of the greatest pop."


Jarreau
Al Jarreau

Produced by:Jay Graydon
Billboard 200:13
CashBox 200:7
Rolling Stone:8



 U.S. Billboard charted singles: Hot 100 ACR&B
 Mornin'2126
 Boogie Down77
9
 Trouble in Paradise6310

Top 3 Tracks
"Mornin'"
"Boogie Down"
"Trouble in Paradise"

This collaboration with West Coast sound gurus David Foster, producer Jay Graydon, and session musicians Jerry Hey and Steve Gadd, is a great collection of commercial pop/R&B tunes featuring Jarreau's fantastic voice. Sure, he could have stretched out a little more, but that's only a minor concern - if Jarreau wanted to produce commercially successful music more than scat singing, what does it matter to me? I like this album so I'm glad he went that direction. Probably his best album, released when he was 43 which seemed old to me in '83 but now seems quite young.

Reviews from 1983:


North of a Miracle
Nick Heyward

Produced by:Geoff Emerick
Billboard 200:178
CashBox 200:170
Rolling Stone:-

 


 U.S. Billboard charted singles: AC
 Whistle Down the Wind20

Top 3 Tracks
"On a Sunday"
"When It Started to Begin"
"Club Boy at Sea"

A perfect pop album. This album was just what this 17 year old boy needed in the fall of 1983.  It was one of the first pop LPs I replaced with a CD in 1990.  Even all these years later, this album continues to get significant playing time.  In other words, it struck a chord with me (bad pun intended).  I never could get any of my high school or college friends interested in Heyward's music or that of his previous band, Haircut 100, but I listened to this all the time.  To me, everything clicked: the writing, the production (by Beatles' engineer Geoff Emerick), the orchestration, the performances, etc.

John Hughes must have liked this album, too. Two songs from it ("When It Started to Begin" & "Whistle Down the Wind") appear during the school dance scenes in the 1984 Hughes classic film, Sixteen Candles.  

Reviews from 1983:



These are my personal top 83 albums released in 1983.  The following criteria was used on a very slippery sliding scale:
  • How often I enjoyed the album at the time of release
  • How often I've enjoyed the album over the years since
  • Overall quality of the album
Chart information is from the US Billboard, CashBox, and Rolling Stone album charts.

The top tracks for each album are solely my opinion.