Showing posts with label Sergio Mendes. Show all posts
Showing posts with label Sergio Mendes. Show all posts

Thursday, May 16, 2019

MFD Not-So-Random Five #15


In which I select five songs from 1976-1985 based on an arbitrary theme. (Not to be confused with this blog's Random Five feature, a different exercise in arbitrariness). Today's theme: songs written by Barry Mann & Cynthia Weil


  1. "You've Lost That Lovin' Feelin'" by Daryl Hall & John Oates (1980, RCA)
    The duo adds just a little something extra to the cover - enough that I actually favor this to the Righteous Bros original. It seems to be propelled forward while being laid back, if that dichotomy makes any sense. But it's difficult to mess up material this good.  This #12 single was one of four top 40 singles released from the platinum-certified Voices album. Always reminds me of a school bus ride to a One Act Play competition in early 1981. I have no recollection, but maybe I busted out my own definitive rendition for my classmates on that trip. If they were lucky. Or, more likely, it was just on the radio as it moved down the charts.

  2. "Here You Come Again" by Dolly Parton (1977, RCA)
    In '77, I was more likely to have a Dolly Parton poster than a Dolly Parton record, but this crossover hit was all over the radio during the fall of 6th grade, so I know all the words. Not really a country tune, it's a well-crafted pop song with slide guitar. Nonetheless, the song earned Parton the award for "Best Female Country Vocal Performance" at the Grammy Awards. And when Dolly starts with "all you've gotta do is smile that smile," the song goes to another level and I could care less what genre you want to label this with. #1 country, #3 pop, and #2 easy listening. NOW that's what I call a hit!

  3. "Just Once" by Quincy Jones (1981, A&M)
    Hard to believe this classic ballad from the platinum album, The Dude peaked at only #17 on the pop chart. It's a fantastic tune - I like everything about it, from James Ingram's soulful vocals to Quincy Jones' production, from the tasty flugelhorn licks to the soaring strings. Lots of familiar names on the call sheet, too: Patti Austin, Abraham Laboriel, David Foster, Steve Lukather, Paulinho Da Costa, Jerry Hey, Ernie Watts, among others. I was about to claim "Just Once" as the best tune of this five, but we move on to...

  4. "Never Gonna Let You Go" by Sergio Mendes (1983, A&M)
    Heck, I could listen to this one all day and just might. I can't sing the high notes along with Joe Pizzulo and Leza Miller but that don't keep me from trying. Every time. For me, the self-titled album, Sergio Mendes, is one of those albums that is just okay, but you first heard it at just the right time and place in your life that makes it a life-long favorite. 

  5. "We're Going All the Way" by Jeffrey Osborne (1983, A&M)
    Another ballad from the songwriting duo, but man-oh-man what a beautifully written verse melody handled masterfully by Mr. Osborne (there's been some fantastic vocals in this not-so-random 5). This single peaked at only #48 on the pop chart and shame on you, America.


Tuesday, July 24, 2018

MFD Not-So-Random Five #7


In which I select five songs from 1976-1985 based on an arbitrary theme. (Not to be confused with this blog's Random Five feature, a different exercise in arbitrariness). Today's theme:  Songs that have the word "summer" in their title.


  1. "Cruel Summer" by Bananarama (1983, London)
    Sounds a lot like a Madonna tune of the same time, no? And why are there three of them when they mostly sing in unison? Great synth bass line, but this is not my favorite Bananarama song. However, I can appreciate a song about oppressive heat and loneliness during the long summer months. We've probably all been there. Released in '83, it didn't become popular here in the US until its inclusion in 1984 movie, The Karate Kid.


    In 1984, this single spent 11 weeks in the Billboard Top 40, peaking at #9 on September 29 of that year.

  2. "My Summer Love" by Sergio Mendes (1983, A&M)
    The 1983 Sergio Mendes album has long been a favorite of mine. I think it falls between The Dude and Bossa Nova Hotel, but Billboard also chose to compare it to Earth, Wind & Fire, which I'm just not hearing.

    Billboard, April 23, 1983, p. 75

    I like the album and this deep cut may be my favorite track. Arranged by Michael Sembello and sung by Mendes' wife Gracinha Leporace, this was originally a French cut written by Alain Chamfort and Serge Gainsbourg. The translation is lacking (rhyming "indigo" with "let you go") but the writing and arranging is so catchy, I don't mind the lyrics.

  3. "Suddenly Last Summer" by The Motels (1983, Capitol)
    Based on my current mood, I'm calling this my favorite Motels tune. Stuck way back in the mix is a fantastic guitar line and Martha Davis is wonderfully sexy. And that brief descending bridge at about the 2:10 mark gets me every time.

    This tune was more of autumn single, peaking at #9 on November 19, 1983 during 13 weeks in the Top 40.

  4. "Summer" by War (1976, United Artists)
    A few years back, I made a list of summer songs, one for each year since 1966 and it's a heckuva list if I do say so myself. Anyway, this single was the pick for '76. It peaked at #9 on the charts in September, 1976 and if there's a song that captures the laid-back, carefree summers of my youth, it's this one. "It's summer, my time of year." Indeed.

  5. "Someone Somewhere in Summertime" by Simple Minds (1982, A&M)
    A moody album opener with an in-your-face subtlety (how's that for an oxymoron?). This song, the third single released from the most excellent New Gold Dream (81–82–83–84), didn't even get a whiff of the US charts and barely scrapped the UK charts. But that doesn't have anything to do with the quality of this tune. Kerr's lyrics are typically obtuse, but I'm guessing this one has to do with a person looking through a metaphorical rain in search of a love.

Friday, July 6, 2018

Top Singles of July '83


Let's take a look at what was topping the various singles charts July 8 & 9, 1983.


Billboard
CashBox
Radio & Records
1
"Every Breath You Take"
The Police
"Electric Avenue"
Eddy Grant
"Every Breath You Take"
The Police
2
"Electric Avenue"
Eddy Grant
"Every Breath You Take"
The Police
"Electric Avenue"
Eddy Grant
3
"Flashdance...What a Feeling"
Irene Cara
"Flashdance...What a Feeling"
Irene Cara
"Wanna Be Startin' Somethin'"
Michael Jackson
4
"Never Gonna Let You Go"
Sergio Mendes
"Time (Clock of the Heart)"
Culture Club
"Flashdance...What a Feeling"
Irene Cara
5
"Too Shy"
Kajagoogoo
"Let's Dance"
David Bowie
"Our House"
Madness
6
"Wanna Be Startin' Somethin'"
Michael Jackson
"Never Gonna Let You Go"
Sergio Mendes
"Come Dancing"
The Kinks
7
"Time (Clock of the Heart)"
Culture Club
"Too Shy"
Kajagoogoo
"Stand Back"
Stevie Nicks
8
"Come Dancing"
The Kinks
"Always Something There to Remind Me"
Naked Eyes
"I'm Still Standing"
Elton John
9
"Don't Let It End"
Styx
"She's a Beauty"
The Tubes
"Never Gonna Let You Go"
Sergio Mendes
10
"Our House"
Madness
"Beat It"
Michael Jackson
"Is There Something I Should Know?"
Duran Duran



Exclusive MFD meta-analysis of the above charts:
  1. "Every Breath You Take" (29 pts)
  2. "Electric Avenue" (28 pts)
  3. "Flashdance...What a Feeling" (23 pts)
  4. "Never Gonna Let You Go" (14 pts)
  5. "Wanna Be Startin' Somethin'" (13 pts)
  6. "Time (Clock of the Heart)" (11 pts)
  7. "Too Shy" (10 pts)
  8. "Come Dancing" (8 pts)
  9. "Our House" (7 pts)
  10. "Let's Dance" (6 pts)
  11. "Stand Back" (4 pts)
  12. "Always Something There to Remind Me" (3 pts)
  13. "I'm Still Standing" (3 pts)
  14. "Don't Let It End" (2 pts)
  15. "She's a Beauty" (2 pts)
  16. "Beat It" (1 pt)
  17. "Is There Something I Should Know?" (1 pt)


Friday, August 22, 2014

Sergio Mendes - Alibis (1984)

Alibis
b/w Confetti

Released: June 1984 (A&M)
Written by: Tom Snow & Tony Macaulay
Produced by: Sergio Mendes & Robbie Buchanan
Album: Confetti

 U. S. Billboard Charts:
 Hot 100 29
 Adult Contemporary 5


A song I like to play for friends and say, "Hey, remember this one?"

Trying to follow up on the chart success of 1982's self-titled album and its single "Never Gonna Let You Go" (#4 pop, #1 AC, #28 R&B), Mendes and company hurried back to the studio to try to recapture the adult contemporary magic with the Confetti album. Alas, it was not to be, but the album did produce one gem of a single with "Alibis" - one of those singles that's so good you buy the album in hopes of it all being that good (that's exactly what I did and [spoiler alert] the rest of the album doesn't come close to this song).

To be honest, most of Mendes' early '80s output is fairly anonymous soft pop; this slick song could have been released by any number of artists. What sets it apart for me is the fine songwriting and strong vocals from Joe Pizzulo. The opening bass line is catchy as all get out, there's hooks galore in the melodies and chord progressions, then Ernie Watts kicks in a saxophone solo to take it up a notch. So good even the terribly dated synth sounds don't bother me a bit.

As the title suggests, this is a song about cheating and the lyrics capture the technology of the period with the reference "your telephone service says you're out again." The moral of the story is Maury-esque: once a cheater, always a cheater ("you think you're in clear but don't forget that's exactly the way we met"). I can speak from experience that isn't true: not my finest point, but I didn't start my cheating ways until the year after this single was released and, for the record, was done with that foolishness long before I got married. I can't remember if this song went through my head in 1985 as I spun my web of lies for the ladies, but it wouldn't surprise me a bit.