Showing posts with label Raydio. Show all posts
Showing posts with label Raydio. Show all posts

Monday, April 8, 2019

Counting down my Top 79 of '79: Singles #79 - 62


A breakdown of my top singles from 1979




Title
Artist
Pop
AC
R&B
Disco
79
"Lady"
Little River Band
10
7


78
"Highway to Hell"
AC/DC
47



77
"Dance the Night Away"
Van Halen
15



76
"Hot Stuff"
Donna Summer
1

3
1
75
"Escape (The Pina Colada Song)"
Rupert Holmes
1
8


74
"Let's Go"
The Cars
14



73
"Heaven Knows"
Donna Summer with Brooklyn Dreams
4
17
10

72
"Suspicions"
Eddie Rabbitt
13
9


71
"In the Stone"
Earth, Wind & Fire
58

23




Title
Artist
Pop
AC
R&B
Disco
70
"I Will Survive"
Gloria Gaynor
1
9
4
1
69
"(not just) Knee Deep"
Funkadelic
77

1
43
68
"Driver's Seat"
Sniff 'n' The Tears
15



67
"Sad Eyes"
Robert John
1
10


66
"Still"
The Commodores
1
6
1

65
"You Can't Change That"
Raydio
9
25
3

64
"Ships"
Barry Manilow
9
4


63
"The Gambler"
Kenny Rogers
16
3


62
"One Way or Another"
Blondie
24







All chart positions are peak positions from Billboard charts. These are my personal top 79 singles of those that peaked on the Billboard charts in 1979. The list is solely my opinion. Using Joel Whitburn's book, Pop Annual 1955-1999, I started with the 475 singles that peaked on Billboard Magazine's Hot 100 chart in 1979. An initial pass through that list narrowed it down to 105 tunes, then listening, ranking, and editing began. The top 79 are presented here, in order.

Friday, August 3, 2018

AT40, August 4, 1979 [Part 3 of 4]

 

I'm breaking down the AT40 show of August 4, 1979 track by track.  For an a look at #40-31, click here, for #30-21 click here.

#20:  "Getting Closer" by Wings. The follow-up single to "Goodnight Tonight." I usually can take it or leave it, but today it's really resonating with me. Go figure. On AT40 since late June, it was peaking here at #20. So is the "salamander" in the lyrics a pet name for his woman, the nickname of his woman's lover, or an actual amphibian?

Casey tells the story of the drummer for Atlanta Rhythm Section, Robert Nix, had to sneak out of the house at night to play gigs when he was 15 years old.

#19: "Do It or Die" by Atlanta Rhythm Section. To be honest, I never recognized this as an Atlanta Rhythm Section tune. Still, it's a nice enough soft rocker, which should have placed higher than #11 on the Adult Contemporary chart. Over on the pop charts, it peaked here in the #19 spot.

"Coming up: a Long Distance Dedication from a Louisiana girl to a Florida boy who taught her that the best cure for being hurt in love is to fall in love again." Awwwww.....

#18: "Boogie Wonderland" by Earth, Wind & Fire with The Emotions. Two EWF songs in one episode could never be a bad thing.  A great dance tune from my favorite EWF album, I Am. Ain't nuthin' wrong with this joint - I'll even admit to a bit of chair-dancing as I write these words.  A big crossover hit, this peaked on the Top 40 at #6, hit #2 on the R&B chart, and #14 on the disco chart.  I even played a marching band arrangement of the tune at high school football games.


Long Distance Dedication: "You Made Me Believe in Magic" by Bay City Rollers (#10, 1977).
Dear Casey, a few months ago I was going steady with a guy. I really thought I was in love. Then, I found out he was just using me to get a date with my best friend. I was really hurt. I vowed never to go out with another guy again. This went on for about three months, then I met Aaron. He kept asking me out and I kept turning him down. Finally, he asked me why. I told him the whole story. I found I could really talk to him and he understood me. We went out often and I found I was falling in love again. I was scared, but he helped me through. Then, one day, Aaron told me he had to move. We write each other often, and in my letters I try to tell him how much I love him and thank him for getting me out of my depression. But it's hard to write it in words, so I'd like to dedicate the song "You Made Me Believe in Magic" to Aaron to tell him how I feel.
I don't remember ever hearing this BCR single on the radio, but it's got a catchy chorus.

#17: "Lead Me On" by Maxine Nightingale. Another one of those hook-filled ballads with raunchy lyrics that I would sing around the house much to my mother's dismay.  This good stuff goes down smooth. #1 on the AC chart for 7 weeks, this slow burner would peak at #5 on September 15. Both this song and its predecessor on the chart, "Boogie Wonderland," share a songwriter: Hall-of-Famer Allee Willis.

#16:  "Sad Eyes" by Robert John. I remember the girls in 8th grade loved this sap, so I was forced to listen to it if I wanted to be near them. Of course, all 8th grade girls are only interested in high school boys, so why did I even bother? This song entered the Top 40 on June 30 and would finally reach the #1 spot on October 6, spending a remarkable 19 weeks on AT40.

"Coming up is the latest hit by a singing-songwriting duo who would have been killed on that tragic Thursday of May 24, 1979, if it weren't for their love of doing interviews."

#15:  "Shine a Little Love" by Electric Light Orchestra. Loved ELO, loved disco. Two great tastes that taste great together. ELO had 17 singles crack the Top 40 between the years of 1976-85, this was their ninth of those 17 to do so, peaking at #8.

Casey tells the story of McFadden & Whitehead accepting an unscheduled interview and postponing a flight. They were originally ticketed for American Airlines Flight 191, which crashed at O'Hare airport moments after takeoff. Casey mistakenly states the date as May 24, when the accident occured on May 25. An odd, morbid contribution to the episode, no?

#14:  "Ain't No Stoppin' Us Now" by McFadden & Whitehead. Classic Philadelphia International sound.  I remember dancing to this one in the jr high gym.  I can't find any fault with any of it: the great string part floating above a funky bass line played by Jimmy Williams backed up with vocals from The Sweethearts of Sigma.  Immediately recognizable, immediately danceable, immediately classic. "Don't wanna stop, please don't make me stop!" The duo's only Top 40 hit, this one would peak at #13, but topped the R&B chart and reached #10 on the disco chart.

"Next up, the first heavy metal song to make the Top 40 of the disco chart."  Uh....whatever you say, Casey.

#13: "I Was Made For Lovin' You" by Kiss. A sub-par disco tune from a novelty act. At least it's better than "Beth." The song did indeed make the disco chart, peaking at #37 there. It would make it as high as #11 on the pop chart. The group was accused of "selling-out" but let's be honest, that ship had sailed years earlier.

AT40 Archives: "Lucy in the Sky with Diamonds" by Elton John.  Casey's counting down the #1 songs of the 1970's; this tune is the last of three in this show. This cover tune was #1 for the first two weeks of 1975.

--end of hour three--

Casey welcomes one new station to the American Top 40 family this week: WKKZ - Dublin, Georgia
#12:  "Mama Can't Buy You Love" by Elton John. In which a green-eyed English bloke attempts to sing blue-eyed Philly soul.  Great material, great arrangement (love those French horn parts), poor performance. This would top the Adult Contemporary chart and peak at #9 on AT40.

Casey lists the five members of Raydio in the intro to...

#11:  "You Can't Change That" by Raydio. In this humble blogger's opinion, Ray Parker, Jr. is an underappreciated songwriter, producer, and guitarist.  The baritone vocals of this bouncy song fit perfectly in my vocal range which means my family had to hear my a capella version around the house quite often. Two weeks after this episode, this single would peak at #9.

Billboard, August 4, 1979, p. 56
More to come...

Thursday, December 19, 2013

Raydio - Jack and Jill (1977)

 Jack and Jill
b/w Get Down

Released: 1977 (Arista)
Written by: Ray Parker, Jr.
Produced by: Ray Parker, Jr.
Album: Raydio

 U. S. Billboard Charts:
 Hot 100 8
 R&B 5


A childhood favorite.  I had no idea who Ray Parker, Jr. was and was unaware of his guitar prowess.  I just loved the synth/clavinet backing tracks.  Heck, I even liked the intrusive background exclamations at the end of each line of the verse (Jack!!) and would love to sing along with that mess.  That singing must have been very disturbing to anyone within earshot.  The brief synth solo is perfect.  This song was always a welcome respite from the 120 bpm disco music that dominated the airwaves back then.

Of course, the content of the song has little to do with the nursery rhyme other than borrowing the names Jack and Jill.  Simply put, Jack needs some lovin', he's not getting it from Jill (who is working late to support Jack, I'm guessing), so he goes down the hill to look for another woman.  It's a timeless tale, unfortunately.

On a side note, Raydio is one of the better band names of the time.