#30: "
Don't Let Go" by Isaac Hayes. In the dying days of disco (before it was rebranded as "dance music"), this fun single was unleashed. I loved it then as much as I like it now even though back in 1980, I was clueless to Hayes' extraordinary history in the music business. Written by Jesse Stone, this tune was originally a hit for Roy Hamilton in 1958. None of that mattered to me, I just dug the low vocals and would try to imitate them even though my voice hadn't changed yet.
#29: "
Déjà Vu" by Dionne Warwick. An Isaac Hayes two-fer! Hayes wrote this tune, Barry Manilow produced it, and it won a Grammy for Best Female R&B Vocal Performance. Strange bedfellows, but they recorded a smooth, soulful ballad nonetheless.
AT40 Extra: Out of left field, Casey interrupts the countdown with this non sequitur. "The biggest chart hit The Rolling Stones ever had." "
Honky Tonk Women" 1969. It's a classic, to be sure, but why play it here?
#28: "
Him" by Rupert Holmes. In the first of two songs by Holmes in the Top 40 this week. This one had debuted the previous week and was on its way to a peak of #6. Here's what I previously wrote about this tune over on
The CD Project: "There's nothing special about it, just a solid 3½ minutes of soft rock if you ignore the strange vocal solo. As an 8th grader, my gym classmates and I would mockingly sing this song (with slightly altered lyrics) to our first year teacher/coach, weakly trying to imply that he was gay. I'll chalk that up to 13 year old ignorance, but its embarrassing now to think I ever acted that way. Belated apologies to that coach as well as Mr. Holmes."
Before a commercial break, Casey teases a story about Tom Petty's contract troubles with Shelter Records and MCA.
Casey returns from the break by telling us that American Top 40 is heard in the 50 states and around the world every week on great radio stations like:
- WIZM - La Crosse, Wisconsin
- WJET - Erie , Pennsylvania
- WDRC - Hartford, Connecticut
#27: "
Wonderland" by The Commordores. This is an odd tune that can't decide if it wants to be a ballad or funk tune. Lionel Richie sings it but didn't write it. I like the synth solo, though. It peaked at #25, unusually low for the group at the time.
Casey shares the troubles of Tom Petty, his contract, and his lawsuit against MCA. Long story short, Petty was treated like a piece of meat, with the label giving few concessions. In Casey's revisionist, more wholesome version, however, "everybody won!" Hooray for capitalism!
#26: "
Refugee" by Tom Petty & The Heartbreakers. I like it now, but I didn't much care for this one back in 1980. It was a minor-key rocker and I was more into major key soft-rock and disco. Now I dig the thing.
#25: "
When I Wanted You" by Barry Manilow. I'm a Fanilow (heck, I saw him in concert not 2 months ago), but this overwrought ballad doesn't do much for me. It peaked a #20 but held the top spot on the Adult Contemporary chart for a week. I'm thinking it's the material, because the
Addrisi Bros. and songwriter
Gino Cunico couldn't do much with it, either.
#24: "
Escape (The Piña Colada Song)" by Rupert Holmes. Here's Holmes again, this time with his former #1. I liked it at the time, not so much now although the hipster generation has embraced it for whatever reasons. It reminds me of playing basketball after lunch in 8th grade. At that age, just singing a song that included lyrics about an alcoholic drink made us feel more grown up.
AT40 Archives: "
I'm Your Boogie Man" by KC & The Sunshine Band. Casey's counting down the #1 songs of the 1970's' this is the second of three in this show. This tune was #1 for one week in June 1977.
#23: "
How Do I Make You"
by Linda Ronstadt. Admittedly, I'm in a small minority, but Ronstadt's
Mad Love album is my favorite release from her. This was the first single released from that album. This was Ronstadt's 14th Top 40 hit; it peaked at #10. But seriously,
check out that album.
Casey teases a story about a group that had nine different albums enter theBillboard Lp chart within a seven week period. Details, and their latest hit, are coming up.
#22: "
Too Hot" by Kool & The Gang. Always liked this bit of smooth goodness; it fits perfectly within my vocal range which meant that unsuspecting ladies were often subjected to this song as a part of my failed, feeble attempts at flirting. Bonus points for the muted guitar throughout and a decent soft-rock sax solo. It would peak at #5 and deservedly so.
The group mentioned above with nine different albums on the chart is Led Zeppelin and their current hit...
#21: "
Fool in the Rain" by Led Zeppelin. One of those bands I'm told I should like, but I just don't. These days when I hear a LZ song, my first thought is usually "who did they steal that from?" In this case, it's
Sly Stone. Don't worry, boys, Genesis also lifted that bassline later the same year for "
Misunderstanding."
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| Billboard, February 16, 1980, p. 94 |
More to come...
