Showing posts with label bio84. Show all posts
Showing posts with label bio84. Show all posts

Sunday, April 28, 2019

April 28, 1984 - My Senior Prom

Labels: naïvety, pity date, purple, unrequited, champagne wishes & caviar dreams, home alone, Rit dye, rented clothes, XXL blog post, Commodore computers, Long John Silver's, opera gloves, Adidas

Everything in this post is true. Well, anyway, I remember everything happening this way. Whether that's the same thing would be an interesting discussion or book, but far beyond the scope of this blog.



The prom theme decided upon by the junior class that year:

Note: photo of city skyline is NOT representative
of the skyline of the small city where prom was held

The invitations were mailed and the local cover band was booked, but your humble blogger was faced with a familiar problem: no date and few prospects.  <sad trombone sound>  I had dated a girl off and on throughout our junior and senior years, but, to be honest, I had no idea how to properly handle a steady girlfriend and by this time, my ignorance had caused things to completely deteriorate. Foolish pride kept me from asking her to the prom that year and I take full responsibility for screwing up that relationship.

I had a major crush on a girl in the junior class for most of my senior year, but she had just starting dating the guy she would eventually marry. Oh-for-two. There were two possible dates in my church youth group, but I had pretty much burned those bridges earlier in the semester by being an unbearable jackhole. Oh-for-four. I asked a girl in my geometry class and was literally laughed at. Oh-for-five.


[Pseudonyms follow.] The last class on my schedule during my senior year was Computer Math, in which we learned to program Commodore PET computers and back-up our work on cassette tapes. A great way to end the school day, it was an easy course which gave me plenty of time to talk to two good friends also in the class, Mike and Evelyn. Mike and I both played trumpet in the school band and had similar tastes in music so we had plenty to talk about. He was (and I'm guessing still is) one of the nicest people I've ever met. We need more Mikes in this world. Evelyn and I had known each other for four years and had been in a few extracurricular clubs/activities together throughout high school. Evelyn had dated the same boy, Kirk, for several years, so I got daily updates about the drama surrounding that relationship. I'd had a little crush on Evelyn since I first met her, but to be fair, I had a little crush on half the girls in my high school because I was a typical teenage boy. A favorite album that spring was In Heat. And I was.


And so it came to pass that Kirk did not invite Evelyn to prom, but instead asked a girl from another school.  Our rural town was small with just one high school, so to date a girl from another school meant putting some serious miles on your car; this was a major slap-in-the-face. As you would expect, this snub from Kirk had Evelyn in tears during Computer Math one afternoon. I did my best to comfort her, but I doubt my efforts consisted of more than a simple "It'll be okay." Of course, when I heard Evelyn say the words, "Now I don't have anyone to go to prom with," I quickly seized the opportunity and asked her if she'd like to go with me. She tearfully accepted and we were set. Sure, I suspected I was being used but at this point in time it no longer mattered.

In the weeks leading up to prom, Evelyn and I were often together outside of school as we worked out the details for the evening of prom. We spent a fair amount of time together shopping and at each other's homes. On Sunday afternoons, Evelyn liked to pick up food at Long John Silver's and drive to a local park for a picnic. Even though I don't particularly care for food from LJS, I played along in order to spend time with her. On its face, this all seemed very platonic, but I was falling hard and savored every second we spent together. Haven't been to a LJS since 1984, though.

I've always been a bit of a contrarian and for the prom my junior year, I decided to be different by wearing tennis shoes with my tuxedo (see below, special thanks to my date for allowing it). I realize that wouldn't so much as raise an eyebrow these days, but in 1983, it garnered several condescending eyerolls from members of my immediate family and, amidst the rice fields of rural south Texas, it was quite the trendsetting statement. So much so that I had a teacher come to me as prom neared in 1984 and ask, "What do you have planned for prom this year?" I didn't have an answer for him because I hadn't given it any thought. Besides, I didn't know I had set such expectations.

I'm thinking they were Adidas. I could wear white because it was after Easter.
Evelyn and her sister had found some purple crepe material and decided to make her prom dress. As you'll see, they had the vision and the talent to pull it off. In an era of puffy sleeves, shoulder pads, and lace a'plenty, Evelyn opted for an elegant, timeless (and sleeveless) design. She decided that opera gloves would perfectly complete her outfit. I quickly had two thoughts: we should dye her gloves purple to match the dress and I would wear dyed purple gloves as well to match my tie and cummerbund. And while the other boys would be wearing pastel, gray or white tuxes with ruffled shirts, I would opt for black tails. Given a little more time, I could have come up with something better (maybe some pinbacks or checkerboard Vans?), but that was as contrarian as it was gonna get that year. Again, it seems tame today, but I was the only boy wearing black, the only boy with purple accessories, and the only boy in tails at that dance.


We met at Evelyn's home on a weekend afternoon in April to dye the gloves on her stove-top. Neither of us had ever used Rit dye before and we each had just one pair of gloves, but somehow we didn't screw anything up. We simply followed the instructions on the box and the gloves went from white to purple. Gloves dyed, dress ready, tuxedo rented, flowers ordered - we were ready.

At this point, I think I should mention that my parents left me alone in the house on the weekend of prom. You read that right. Home alone. The best I can remember, they went to Houston for a wedding my father was officiating. They must have left Friday for the rehearsal and stayed in Houston until Sunday afternoon. Sort of a mini-vacation from their overbearing 17 year old son suffering from a bad case of senioritis. I can't blame them and at the same time I can't believe they did that.

On the morning of April 28, I set off by myself to the nearest mall in order to kill some time as I was a bit anxious about that evening's events. I'm fairly sure some vinyl was purchased but I can't recall which (best guesses: It's My Life, The Flat Earth, and/or "The Reflex"). I also bought some purple earrings to give to my date that evening. Upon returning home that afternoon, I tried on the tuxedo I had rented and everything was looking good except my feet were way too wide to fit in those skinny rented shoes. At age 17, I didn't own a pair of black leather shoes, so I raided my dad's closet and grabbed a pair of his shoes. Even though they were at least 2 sizes too big, they fit better than the rented shoes which claimed to be patent leather but I think were actually rigid, shiny plastic. I haven't rented shoes since.


I can't remember when I was told to arrive at my date's home, but I'm guessing around 5 PM. I made the decision to drive my mother's Pontiac Catalina to the prom instead of my Markmobile because, although the Markmobile had a superior Pioneer tape deck, Mom's Pontiac had air conditioning. So, in great comfort but accompanied only by an AM radio, I arrived to Evelyn's house at the appointed time. I gave her a wrist corsage and the earrings I had purchased earlier. Memory is fuzzy here, but I believe Evelyn had recently pierced her ears for a second time and putting the new earrings into the new holes in her lobe brought about a bit of blood. Admittedly not the start to the evening that I had envisioned. Nevertheless, Evelyn got cleaned up, pinned on my boutonniere, then her older sister took the requisite photos of the happy couple before we headed out. I'd share those pictures with you but I never had my own copies and I'm doubtful prints still exist.

Our first stop: a classmate's house for a pre-prom champagne party. The drinking age in Texas at the time was 19, which meant I had classmates with slightly older siblings who could legally purchase alcohol. I wasn't much of a drinker in high school because I was terrified of parental retribution plus I weighed maybe 130 lbs, so when it came to alcohol, I was a true lightweight. But my parents were out of town, so I probably had two or three glasses that evening and lemmetellya those glasses had quite the warming effect on me. Once we were glassy-eyed, we decided to have our picture taken.

I shouldn't have been driving at all, much less my mother's car, but I managed to get us to the hall where the dance would later be held in order to have our prom photo taken before dinner:

I figured if I was using pseudonyms, I'd better pixelate, too.
But check out those gloves!
We beat the rush, snapped that picture, then it was on to the local country club for dinner. Being in a small town, dinner for prom was always a difficult decision: should we drive 60 miles into Houston for fine dining, or do we wear our formal attire to eat alongside people wearing cowboy hats and boots at the local steak house where branding irons and firearms pass for wall decoration and the salad bar is shaped like a chuck wagon? (What can I say - many Texas stereotypes are true for good reason.)  This year, however, thirteen of my classmates hosted a dinner at the country club and each of them could invite one couple. To whichever parent concocted that brilliant idea, many thanks. My very good friend Sam was one of the hosts, so Evelyn and I made the cut and any dinner dilemma we might have had was solved. Bonus: I didn't have to pay a cent.


I drove out to the club and when I rose up out of the driver's seat, I got light-headed and fell back into the car - I think I mentioned I was a lightweight. Let's get something in that stomach and quick. So we headed to the ball room where numerous tables were set up for the 50 or so diners. After working the room meeting and greeting, Evelyn selected our seats at an empty table. I was expecting my friend Sam and his date Melinda to come sit by us, but nah. None other than Kirk and his out of town date chose to sit directly across from Evelyn and myself. Kirk acted like everything was completely normal and I'm sure I looked at the napkin in my lap quite a bit for the next hour. I don't remember what was served at the dinner other than a heaping helping of awkward. At some point during that long hour, I made eye contact with Kirk's date and we silently acknowledged that we were both being used to trigger feelings of jealousy between Evelyn and Kirk. Get me outta here.


(If this were an '80s movie, this is where we'd have the scene of me and my date ripping off our clothes and frolicking on the 18th green of the country club's golf course as the sprinklers come on, but that didn't happen for four reasons: 1) surprisingly, the thought never entered my mind to try such, 2) the sun hadn't yet set completely, 3) it's a 9 hole golf course - no 18th green, and 4) I probably would have gotten my face slapped. And rightly so.).

Finally, to the dance.

Prom ticket. Not a lot of info on that thing, huh?

From the country club back to the Knights of Columbus Hall. Check in and hit the floor. If there was music playing, I was on that parquet dance floor. Prom means different things to different people (namely sex and alcohol), but to me it meant a chance to dance. I loved to dance and I didn't get many opportunities so I took full advantage of this one. In my mind, I was a fantastic dancer but who the hell knows. The only songs I specifically remember the cover band playing were "Footloose" and, oddly, Toto's "We Made It."  Evelyn was nominated for prom queen which added a little excitement to our evening. She didn't win, and I'll be dadgummed if I can't remember who did and my yearbook is of no help. The dance was over at midnight - we left about 11:30 so I can't tell you if "Stairway to Heaven" was the last tune, fortunately. And if you were looking for stories of me or my friends spiking the punch bowl, sorry to disappoint - nothing but dancing from this guy.


After leaving the dance, we had to change clothes before heading to the afterparties. First, we went to Evelyn's place where she changed into some 501s and a loose, backless, white top. Then we swung by my house where I changed into Lord knows what, probably some jeans and an Ocean Pacific tee. While I was changing, Evelyn laid face down on the floor in living room, ostensibly to rest up before more partying. Heck, I made the poor girl dance for 3 straight hours, so I can't blame her for being tired.

Allow me to set the stage: in an otherwise empty house, my prom date is laying down on the floor with a backless shirt, proudly showing me that she wasn't wearing a bra. We had been in close proximity for the past 7+ hours. Weeks had led up to this very moment. I was feeling pretty good about the evening (other than the initial bloodshed) and was at peak smoothness. It was at this point I knew I had to ask a question that would completely change the trajectory of the night: "So, you ready to go?"


Actually, I think I laid down beside her for a few minutes, but was too naïve (or terrified) to even think about making a pass. Evelyn had shown absolutely no interest in a physical relationship with me in the weeks leading up to the prom; I had no reason to think anything had changed suddenly, so I carried on. We piled into the car and headed a few blocks down Avenue K.

The first afterparty was at one of those houses "where everybody knows your name," so a post-prom party was a given.

Even this simple screen capture from Google Maps brings back plenty of good memories.
The people that would normally hang out at the above house are people I still consider friends. I was usually at that place at least once a week if not more. Good family, good people, good friends.

But we had to give equal time to Evelyn's close friends, so after awhile we left the first party to head down some farm roads on the outskirts of town to a classmate's estate, where the party was in the pool house, next to the tennis court. In other words, I never would have rated an invitation to this afterparty if I hadn't been with Evelyn. I'd love to tell tales of skinny-dipping or fully-clothed couples being pushed into the pool, but if that happened, I didn't see it.

To be honest, I don't remember much about either afterparty. I have always been an early-to-bed, early-to-rise kinda guy and this was after 1 AM, so I was mentally checked out. Most likely, I planted myself on a couch while smiling and nodding, not unlike my behavior at many social events today. I don't remember drinking anything but surely alcohol was present at both parties.

I have no idea what time it was when I finally delivered Evelyn back to her home. I walked her to the door, we shared a goodnight kiss, and she went inside. Senior prom was over. What a wonderful 12 hours. I was asleep within 5 minutes of hitting my front door.

But wait, there's more...


I don't remember attending church later that morning, but that very Sunday night, I starred as Joseph in a local production of the musical, Joseph and the Amazing Technicolor Dreamcoat. Now that I'm 52, I can only marvel at the stamina and resilience I had at 17. Whew. If I stayed up until 3 or 4 AM on a Sunday morning these days, I'd be worthless for the remainder of the weekend. Back then: no problem - what else you got for me? And then it was back to school on Monday; only four weeks until graduation.




At our ten year high school reunion, a good friend (you may know this guy from this story) said this about our senior prom; "That was a weird prom. Nobody went with who they were supposed to." While that last part may be true, I never thought of our senior prom as weird. But I guess all proms are weird in their own way because it's high school and kids are trying their hardest to act like they think adults should act. Some of us outgrow that.

As you could probably predict, Evelyn and I didn't see each other as often after prom and even though we caught a couple of movies together that summer and made at least one more trip to Long John Silver's and the park, I slowly accepted the fact that nothing was ever going to happen between us. I chased several girls that summer and ended up dating a Burger King co-worker. (It was a whopper of a relationship. Hi-yoooo!) Evelyn and I attended different universities that fall and I didn't see her again until her first wedding, which I believe was in 1990. These days, we keep up with each other through social media, but that's about it. I think there's a 35 year class reunion this year - I should probably check on that.

As you can tell from the above scans, I'm sort of a pack rat and, believe it or not, I still have the multicolored coat costume that appears in the photo above. Spoiler alert: it no longer fits me. But I have no idea what happened to my purple gloves.




Let's see what was playing on the radio that historic weekend, courtesy of the April 27, 1984 edition of Radio & Records:








And since it was around that time that my friends and I stopped asking, "Have you heard that song?" and started asking, "Have you seen that video?" here's what MTV was playing around prom time:


To be honest, my family didn't have cable, so I got my video fix either at friends' houses or by videotaping Friday Night Videos on our Panasonic top-load VHS machine.





Thursday, November 29, 2018

Albums of My Senior Year in High School (1983-84)

Your humble blogger's high school campus, ca. 1984.



A few months back, friend o' the blog JB offered up this rant:


JB and I are in complete agreement. But his tweet got me thinking about other albums with that kind of longevity, then I heard my 80 year old high school campus is mercifully scheduled for demolition, and because brains work in strange ways, I put those two seemingly unrelated thoughts together and came up with this question:
Were there any albums that had singles in Billboard's Hot 100 for the entirety of my senior year in high school, August 1983-May 1984?
Well, I found one album that met the criteria (a personal favorite at that!) and four others that came dang close. Granted, a lot of this success is due to timing and luck, but that's the music biz. This may or may not have any interest to you, but I did the research and compulsively created a timeline graphic, so here it is:

click to enlarge



Wednesday, November 7, 2018

AT40, May 26, 1984 [Part 1 of 4]


Let's travel back and take a look at the American Top 40 episode for May 26, 1984 track by track.

Your humble blogger's high school campus, ca. 1984.
It is scheduled for demolition next summer.

I didn't choose this episode at random. I graduated high school on the evening of May 25, 1984 (more on that here), stayed up most of the night at the beach (and other places) with friends, then spent the next day at Astroworld riding rides before seeing Billy Idol in concert that evening. After that, I most likely slept for the entirety of Sunday, so odds are very poor that I heard this episode when it originally aired.

While he wasn't present at my high school graduation (to my knowledge), Casey Kasem took the weekend off and did not host AT40 on this date. Filling in was "permanent sub" at the time, Charlie Van Dyke. During the 1980's, Van Dyke hosted the show a record 31 times. At the time, Van Dyke was working for KTAR in Phoenix.

Charlie Van Dyke
As was the custom back then, Charlie starts the show by counting down the top three songs from the preceding week. He only mentions last week's number 3 tune, "Against All Odds" by Phil Collins, over the introduction to the #2 song, "Let's Hear It For The Boy" by Deniece Williams. Next, Charlie plays last week's #1: "Hello" by Lionel Richie.  (Spoiler alert: "Hello" had been at #1 for two weeks at this point, but wouldn't make it to three.) Then it's on with the countdown:

#40: "Whisper to a Scream (Birds Fly)" by Icicle Works. The first of four debuts this week, Charlie intros this group by stating they are from Liverpool, England, as are acts such as Gerry and The Pacemakers, A Flock of Seagulls, and The Beatles. This only reached #37 in 4 weeks in the Top 40. Shoulda been a bigger hit. AT40 uses a less familiar (too me at least) version of the tune.

Four tunes dropped from the Top 40 this week:
  • "A Fine Fine Day" by Tony Carey (dropping from 33 to 54)
  • "White Horse" by Laid Back (26 to 51)
  • "Miss Me Blind" by Culture Club (25 to 52)
  • "Tonight" by Kool & The Gang (20 to 49)

#39: "Magic" by The Cars. The second of the four debuts, this would go on to peak at #12 on July 7.  I only liked two songs from the Heartbeat City album - "Hello Again" and this song. It's a great tune for driving around with the windows down. To be honest, I was driving a 1973 Ford Maverick with no A/C at the time, so windows up wasn't really an option. We'll hear from The Cars again a little later in the countdown.
#38: "Dance Hall Days" by Wang Chung. Another debut. Charlie states this is the group's second Top 40 hit and you could knock me over with a feather because I have no memory of "Don't Let Go" charting. I always liked this song when it came on the radio, especially the mysterious way the vocals were put way down in the mix. However, I wouldn't pick up the album until 2013. My mistake. This single would spend 10 weeks in the Top 40, peaking at #16.

"American Top 40 is heard in the 50 states and around the world on great radio stations like:"

#37: "No More Words" by Berlin. The biggest dropper in the countdown, falling 13 spots. I liked this one enough not to switch the radio station when it came on, but not enough to buy a copy. I still haven't heard the entire Love Life album.

#36: "Dancing in the Dark" by Bruce Springsteen. Not only debuting in the Top 40, this song debuts in the Hot 100 this week here at #36. Guest host Charlie Van Doren tells the oft-repeated story of Springsteen appearing on the covers of Time and Newsweek magazines in October 1975. 


Bruce released this single and suddenly all us new wavers were Springsteen fans. "Hey! You can dance to this thing!" This tune would later spend four weeks at #2, being kept out of the top spot by "The Reflex" and "When Doves Cry."

Note: this week would start an incredible 97 week run of singles on the Billboard Hot 100 from the Born in the USA album:
click chart to enlarge

"Coming up: a story about a modern version of the most famous haircut in history."

#35: "Love Will Show Us How" by Christine McVie. If I had been paying attention in 1984, I would have found somebody with a copy of this album and dubbed a cassette tape. The singles, this one included, are catchy as hell.

#34: "Modern Day Delilah" by Van Stephenson. Charlie recaps the biblical tale of Sampson and Delilah briefly before playing this tune, which I have no memory of hearing in 1984 and maybe only a few times since, including today. It spent 10 weeks on the chart, peaking at #22.

#33: "Eyes Without a Face" by Billy Idol. Did I mention I saw Billy Idol in concert on May 26, 1984? I thought I might have. The song is good, but the bridge/guitar solo is great (and terribly truncated for this AT40). It was Idol's first top 10 tune, peaking at #4 during it's 14 week chart run. It brings back memories of a school band trip we took to Southern California not long after graduation. It never rained while we were there.

Your humble blogger performing at Disneyland, June 1984

#32: "My Ever Changing Moods" by The Style Council. Proving that Culture Club didn't have a monopoly on Motown-derived tunes. I dig it but, like the aforementioned "Modern Day Delilah," this didn't get much airplay in the Houston market. The group's only Top 40 hit, this single spent 6 weeks on AT40, peaking at #29.

--end of hour one--

#31: "It's My Life" by Talk Talk. "It's My Life" is not only my favorite Talk Talk song, it's one of my favorite songs of the '80s. Unfortunately, it's also the group's only US Top 40 single. I liked it from the get-go and bought the album not long after hearing this single for the first time. It peaked here at #31 in only 6 weeks in the Top 40. You know what I going to say about that: too low and too few.

Billboard, May 26, 1984, p. 60


More to come...

Sunday, February 5, 2017

Impromptu 1984 Mixtape


I wasn't planning on posting today, but I read this post over at Len's most excellent 45 Ruminations Per Megabyte blog where he poses the question, "if you were making a 1984 mixtape, what would you include?" And there went my weekend. Well, here you go, Len - this is what it would look like today. Tomorrow, of course, you'd get a different mix.  Since your tape contains 23 tracks, I'll do the same. (It's nice not having to worry about cassette tape time constraints, though.)

SIDE A:

Track 1: "Let's Go Crazy" by Prince (#1 in September). Forgive the obvious choice, but it's one of the greatest album openers in pop history. I distinctly remember a trip down Interstate 45 on a hot afternoon in October 1984 where all I listened to was "Let's Go Crazy" for two hours straight, singing at the top of lungs. I hope the other travelers appreciated the marathon performance, because my voice was shredded by the time I reached my destination.

Track 2: "I Feel For You" by Chaka Khan (#3 in November). Start a mixtape with a Prince two-fer? You betcha! Written by Prince, rap by Melle Mel, harmonica solo by Stevie Freakin' Wonder. Nuff said.

Track 3: "Waterfront" by Simple Minds. The fact that this didn't make the pop chart only goes to show that it was released a year too early. Release this bombastic shuffle after "(Don't You) Forget About Me" and it's a top ten smash.

Track 4: "Talking In Your Sleep" by The Romantics (#3 in January). I owned the cassette of this album in my car in late '83/early '84 and it was in medium rotation there. Reminds me of leaving the high school campus for lunch with friends Brett and Roy. It's a catchy thing but it's far from being the best song on the In Heat album.

Track 5: "Deeper and Deeper" by The Fixx. The best song on the Streets of Fire soundtrack is another song that shoulda charted but didn't. I saw the band in the summer of 1984, but I can't remember a thing about the show.

Track 6: "Alibis" by Sergio Mendes (#29 in August). I've already given this song much love in this post.

Track 7: "(You Can Still) Rock in America" by Night Ranger (#51 in January). The best track on the Midnight Madness album.  Yeah, I said it.

Track 8: "White City" by Thomas Dolby.  This wasn't released as a single, but it's my favorite track from The Flat Earth album. If you want to substitute "Hyperactive" (#62 in February) for this one, I'm okay with that.

Track 9: "Pride (In The Name of Love)" by U2 (#33 in December). Simply put, this is U2's best song.

Track 10: "The Lebanon" by The Human League (#64 in June). An overlooked dance tune with overtly political lyrics. Great bass line and is that a guitar on a Human League track?

Track 11: "The Reflex" by Duran Duran (#1 in June). When I graduated from high school in May 1984, this song was just about all I played in my car, had the 12" single, waited for the video on MTV, etc.  I specifically remember dancing to this song at a post-graduation party in the park about 1 AM.

Track 12: "Miss Me Blind" by Culture Club (#5 in April). Some of my friends played in a cover band called Cambrai and they played this song once when I was at a club called Elvira's in BC in the spring of '84. I want to dislike Culture Club for many superficial reasons, not the least of which is Boy George (read embarrassing story here).  That said, this is the band at their best and I can't resist.



SIDE B:

Track 1: "Panama" by Van Halen (#13 in August). The best thing the band had released since its debut album and my favorite tune from the band.

Track 2: "It's My Life" by Talk Talk (#31 in May). Not only my favorite Talk Talk song, it's one of my favorite eighties songs (it's also the group's only US Top 40 single). I had a cassette dub of the group's debut album, The Party's Over, and I bought the LP of It's My Life. Not long after I had purchased the album, I was at a high school pool party near graduation. They had a Houston rock radio station playing (probably 101 KLOL) and I was stopped in my tracks when I heard the single It's My Life played alongside Ozzy and AC/DC. Never heard it again on that station, but I was pleasantly surprised that afternoon.

Track 3: "New Moon on Monday" by Duran Duran (#10 in March). The only good song on Seven and the Ragged Tiger ("The Reflex" was boring as all get-out until Nile Rodgers got a hold of it.). This one doesn't get much play anymore and that's a shame because that chorus has at least three hooks that I can count.

Track 4: "You Can't Get What You Want (Till You Know What You Want)" by Joe Jackson (#15 in June). Not the follow-up I wanted from Joe, but I sure listened to Body and Soul on every bus trip to one-act play contests that spring. The bass and guitar players sure try their best. I liked that album a lot more back then than I do now.

Track 5: "They Don't Know" by Tracey Ullman (#8 in April). Ullman recorded a fantastic album of '60s girl group tunes and this Kirsty MacColl single brought me to it. If you need it, I'm able to sing all the vocal parts with bonus Pips-ish choreography.

Track 6: "Magic" by The Cars (#12 in May). Summer, summer, summer. Summer '84 I was driving along in the Markmobile with this song blasting from my Pioneer deck and completely missed a stop sign. And of course their was a cop right there. This one's from the mediocre Heartbeat City album, which I had dubbed on one side of a C-90 tape with Purple Rain on the other. If you want to substitute "Hello Again" (#20 in October) for this one, I'm okay with that.

Track 7: "Head Over Heels" by The Go-Go's (#11 in May). My favorite Go-Go's song especially the pounding the piano takes. Finally saw the group in 2000. Belinda was looking especially lovely. (Love ya, Belinda, call me!)

Track 8: "Time Will Reveal" by DeBarge (#18 in January).  I've already given this song much love in this post.

Track 9: "Time the Avenger" by The Pretenders. That guitar/bass lick caught my ear from the get go and then it kicks up a notch at the chorus. If you want to substitute "Middle of the Road" (#19 in February) for this one, I'm okay with that.

Track 10: "Hold Me Now" Thompson Twins (#3 in May). Reminds me of driving in my car listening to the Into The Gap cassette during the spring of my senior year in high school. When I listen now, I still try (and usually fail) to hit the high falsetto notes during the last chorus - "Oh, will you stay with me?" - just like I did years ago.

Track 11: "Rebel Yell" by Billy Idol (#46 in March). Leaves me wanting "more, more, more" (too easy?). Guitarist Steve Stevens steals the show. Saw Idol and Stevens the day after I graduated high school. 




If you don't like that one, I compiled this list two months ago:


Monday, December 19, 2016

December 1984


I've previously written about a few of my adventures during my first semester in college in this post. But as Christmas approaches, I'm reminded of my first winter break in which I returned home for 4 weeks from mid-December 1984 to mid-January 1985; a guest in the house I grew up in. It's a strange feeling, isn't it? I had been home twice during the fall semester, once for a weekend visit and once at Thanksgiving. I didn't often drive home from college because it was a 6 hour drive each way.



Anyhoo, I distinctly remember finishing my first semester of college with an English 101 final, which I finished early then walked across a cold, eerily deserted campus listening to the decidedly un-Christmas tune "Toccata and Fugue in D Minor" by J.S. Bach on my trusty Walkman WM-10.



I quickly packed and headed home for the holidays, finding myself a much different person than when I'd left: I had traveled 350 miles to a university where I knew nobody prior to matriculating, I had joined a fraternity, I had met a girl 4½ years older than me who thought we were going to marry (we didn't), I had met another girl 13 days younger than me to which I've been married since 1989, I had experienced ill-fated attempts at growing a mustache and piercing my ear, and, most importantly(?) had completed 17 credit hours. Most all of these events happened in the university's music building, seen here:

Undated postcard. The back caption reads as follows:
MUSIC BUILDING as seen from the terrace of the Art Building.
It is soundproof, air-conditioned, and houses all music education
and music activities including a complete radio studio.

That building was eventually demolished which is for the best because it was a dump back in the '80s so I can't imagine how bad it must have been decades later. Here's what that building looked like the last time I was in Commerce:

November 2013
But I digress (as I'm wont to do). Let's talk about music. When I returned home to my old room to my old bed, I wanted to hear some tunes so I turned on my old Marantz clock radio because my Fisher stereo was left in my dorm room. To my delight, a new local station had gone on the air, KMKS. It was the city's first FM station and its format was adult contemporary, a format which perfectly suited my mood at the time (still does). What follows is a Mixcloud show with an annotated playlist of tunes that remind me of those few weeks at home in December 1984. I specifically remember the Julian Lennon and Jermaine Jackson tunes being played on heavy rotation on my new FM radio station. Good times.  Enjoy.





"Valotte"
Julian Lennon
From the album Valotte
Written by Julian Lennon, Justin Clayton & Carlyon Morales
Produced by Phil Ramone



 U.S. Billboard charts peaks:
 Hot 1009
 Adult Contemporary4
 Mainstream Rock2




"Method of Modern Love"
Daryl Hall and John Oates
From the album Big Bam Boom
Written by Daryl Hall & Janna Allen
Produced by Daryl Hall, John Oates, and Bob Clearmountain



 U.S. Billboard charts peaks:
 Hot 1005
 Adult Contemporary18
 R&B21
 Dance15
 Mainstream Rock42




"Do What You Do"
Jermaine Jackson
From the album Dynamite
Written by Ralph Dino & Larry DiTomasso
Produced by Jermaine Jackson


 U.S. Billboard charts peaks:
 Hot 10013
 Adult Contemporary1
 R&B14




"Like a Virgin"
Madonna
From the album Like a Virgin
Written by Billy Steinberg & Tom Kelly
Produced by Nile Rodgers



 U.S. Billboard charts peaks:
 Hot 1001
 Adult Contemporary29
 R&B9
 Dance1




"Foolish Heart"
Steve Perry
From the album Street Talk
Written by Steve Perry & Randy Goodrum
Produced by Steve Perry


 U.S. Billboard charts peaks:
 Hot 10018
 Adult Contemporary2




"Love Light in Flight"
Stevie Wonder
From the soundtrack album The Woman in Red
Written by Stevie Wonder
Produced by Stevie Wonder



 U.S. Billboard charts peaks:
 Hot 10017
 Adult Contemporary10
 R&B4
 Dance6




"After All"
Al Jarreau
From the album High Crime
Written by Al Jarreau, Jay Graydon & David Foster
Produced by Jay Graydon



 U.S. Billboard charts peaks:
 Hot 10069
 Adult Contemporary6
 R&B26




"20/20"
George Benson
From the album 20/20
Written by Randy Goodrum & Steve Kipner
Produced by Russ Titelman



 U.S. Billboard charts peaks:
 Hot 10048
 Adult Contemporary15
 R&B15




"Missing You"
Diana Ross
From the album Swept Away
Written by Lionel Richie
Produced by Lionel Richie & James Anthony Carmichael



 U.S. Billboard charts peaks:
 Hot 10010
 Adult Contemporary4
 R&B1




"Solid"
Ashford & Simpson
From the album Solid
Written by Nickolas Ashford & Valerie Simpson
Produced by Nickolas Ashford & Valerie Simpson



 U.S. Billboard charts peaks:
 Hot 10012
 Adult Contemporary34
 R&B1
 Dance15




"No More Lonely Nights"
Paul McCartney
From the soundtrack album Give My Regards to Broad Street
Written by Paul McCartney
Produced by George Martin



 U.S. Billboard charts peaks:
 Hot 1006
 Adult Contemporary2
 Mainstream Rock16




"What About Me?"
Kenny Rogers with Kim Carnes, & James Ingram
From the album What About Me?
Written by Kenny Rogers, David Foster & Richard Marx
Produced by Kenny Rogers & David Foster



 U.S. Billboard charts peaks:
 Hot 10015
 Adult Contemporary1
 Country70




"Misled"
Kool and The Gang
From the album Emergency
Written by Ronald Bell, James Taylor & Kool And The Gang
Produced by Ronald Bell, Jim Bonnefond & Kool And The Gang



 U.S. Billboard charts peaks:
 Hot 10010
 R&B3
 Dance9
 Mainstream Rock1




"Sexcrime (Nineteen Eighty-Four"
Eurythmics
From the soundtrack album 1984
Written by David Stewart & Annie Lennox
Produced by David A. Stewart



 U.S. Billboard charts peaks:
 Hot 10081
 Dance2