Showing posts with label Elektra/Musician. Show all posts
Showing posts with label Elektra/Musician. Show all posts
Sunday, December 25, 2022
Monday, May 1, 2017
Tom Scott feat. Richard Page - Sure Enough (1982)

Tom Scott feat. Richard Page
| Written by: Richard Page, Steve George, John Lang & Tom Scott Produced by: Jeffrey Weber Album: Desire (Elektra/Musician, 1982) |
Not sure if this qualifies as a "deep album cut" as it was apparently released as a single, but I can't find that it charted anywhere.
Tom Scott is a prolific jazz fusion recording artist, TV show theme composer (Starsky and Hutch, Family Ties) and was a first call session musician for pop musicians back when pop songs had saxophone solos (that's him on McCartney's "Listen to What the Man Said" for example). I started enjoying his work with his 1981 live album Apple Juice and bought the Desire album when it was released in 1982. As if he didn't have enough to do, I think Scott was the opening act/backing band for Olivia Newton-John while also in the Blues Brothers band at the time.
Tom Scott is a prolific jazz fusion recording artist, TV show theme composer (Starsky and Hutch, Family Ties) and was a first call session musician for pop musicians back when pop songs had saxophone solos (that's him on McCartney's "Listen to What the Man Said" for example). I started enjoying his work with his 1981 live album Apple Juice and bought the Desire album when it was released in 1982. As if he didn't have enough to do, I think Scott was the opening act/backing band for Olivia Newton-John while also in the Blues Brothers band at the time.
While most of Scott's music is instrumental, track two of Desire, "Sure Enough," includes vocals from Richard Page of the band Pages. In fact, it's written by three members of Pages (plus Scott) and Steve George sings backup. Let's just admit it: this is essentially a lost Pages track and as such, it's smooth AOR/West Coast goodness with an average verse but a chorus that's catchy as all get-out.
The track gets more impressive when you consider it was recorded in one take: no overdubs, no editing between takes, etc.:
Would this have been better with some Jay Graydon prodcution? Sure, but then Graydon would have fought Scott over who got the solo. This is just fine the way it is and Scott scorches his solo, so I won't pick at nits here.
The track gets more impressive when you consider it was recorded in one take: no overdubs, no editing between takes, etc.:
Would this have been better with some Jay Graydon prodcution? Sure, but then Graydon would have fought Scott over who got the solo. This is just fine the way it is and Scott scorches his solo, so I won't pick at nits here.



Labels:
1982
,
B minus
,
deep album cut
,
Elektra/Musician
,
Pages
,
Tom Scott
Monday, June 13, 2016
Various Artists - The Young Lions (1983)
The Young Lions
| Released: 1983 (Elektra/Musician) Produced by: Michael Gibbs Peak on Billboard charts: Did not chart Peak on Cash Box Jazz Chart: #18 |
| Side One | Side Two |
|---|---|
| B 'N' W Mariel Thank You |
Maiden Dance What Ever Happened to the Dream Deferred |
| Side Three | Side Four |
|---|---|
| Breakin' Nigerian Sunset |
FMW Pleasant Memories Endless Flight |
click photos to enlarge
Note: track notes included in videos below
![]() |
| Billboard, June 11, 1983, p. 99 |
The New York Times
Amazon
RateYourMusic.com
A group of up and coming jazz artists get together to create and record. And it sounds just like you'd expect: pieces written and performed by young artists still trying to find their own voice and signature style. The inexperience shines throughout the double disc set, but there are enough good ventures to make those songs worth a listen. Another problem is that the artists all come from different sub-genres (avant-garde, fusion, neo-bop) and don't really know all the musical vocabularies so some attempts fall flat. Like many 2 LP sets, this would have made a great single LP.
How'd the careers of these 17 Young Lions work out? Click on the name for more info:
John Blake (violin)
Hamiet Bluiett (baritone sax)
Ronnie Burrage (drums)
Anthony Davis (piano)
Paquito D'Rivera (alto sax)
Kevin Eubanks (guitar)
Chico Freeman (reeds)
Craig Harris (trombone)
Jay Hoggard (mallets)
Fred Hopkins (bass)
Wynton Marsalis (trumpet)
Bobby McFerrin (vocals)
James Newton (flute)
Daniel Ponce (percussion)
John Purcell (reeds & double reeds)
Avery Sharpe (bass)
Abdul Wadud (cello)
How'd the careers of these 17 Young Lions work out? Click on the name for more info:
John Blake (violin)
Hamiet Bluiett (baritone sax)
Ronnie Burrage (drums)
Anthony Davis (piano)
Paquito D'Rivera (alto sax)
Kevin Eubanks (guitar)
Chico Freeman (reeds)
Craig Harris (trombone)
Jay Hoggard (mallets)
Fred Hopkins (bass)
Wynton Marsalis (trumpet)
Bobby McFerrin (vocals)
James Newton (flute)
Daniel Ponce (percussion)
John Purcell (reeds & double reeds)
Avery Sharpe (bass)
Abdul Wadud (cello)
Allmusic
Discogs



|

Labels:
1983
,
album
,
C
,
Elektra/Musician
Sunday, June 12, 2016
Home Taping is Killing Music

Remember that unpopular battle cry from the early '80s? Turns out that home taping didn't kill music after all. A better slogan might have been, "Home Taping is Killing Record Label Executives' Christmas Bonuses" but I digress. In 1983, the Musician subsidiary of Elektra Records went on the offensive with an open letter from its artists. Here's some background press followed by the open letter itself. Offered up here for historical information only, the words of the CashBox editorial and letter are solely those of the respective authors and do not reflect the opinions of MFD (because I might have worn out my tape machines dubbing LPs back then, but I admit to nothing).
![]() |
| CashBox, April 23, 1983 |
![]() |
| (click photos to enlarge) |
Labels:
1983
,
CashBox
,
Elektra/Musician
Wednesday, May 18, 2016
The Elektra/Musician Label 1982-84
The Elektra/Musician label was started in 1982 by record exec Bruce Lundvall. Here's some press clippings about the label's beginnings: (click images to enlarge):
![]() |
| Musician magazine, No. 42, April, 1982, p. 19 |
![]() |
| Record World, April 4, 1982, pp. 8, 10 |
![]() |
| Billboard, Feb 20, 1982, p. 12 & 46 |
![]() |
| DownBeat, March 1982, p. 13 |
Despite a great roster of artists, the label was short-lived. Just 18 months in, Lundvall announced some changes:
![]() |
| Billboard, October 29, 1983, p. 35 |
Reading between the lines, one could see the inevitable end of the label approaching. In 1984, Lundvall left Elektra for EMI to start the Manhattan label as well as revive the Blue Note label.
![]() |
| Billboard, June 16, 1984, p. 42 |
Elektra/Musician was Lundvall's baby and without his guidance and vision, the E/M label all but folded. Elektra unsuccessfully attempted to revive the Elektra/Musician label in the late '80s.
Currently, the Elektra/Musician page on Wikipedia is a hot mess, so I've listed the label's releases below. For more on the label and its releases, check out Dr. Smooth's Jazz LPs website.
Artist
|
Album
|
Billboard Jazz Chart | CashBox Jazz Chart |
|
|---|---|---|---|---|
| Charlie Parker | One Night In Washington* |
28
| ||
| Red Rodney & Ira Sullivan | Spirit Within | |||
| Eric Gale | Blue Horizon |
20
|
22
|
|
| Lee Ritenour | Rio |
11
|
8
|
|
| Various Artists | Griffith Park Collection |
35
|
26
|
|
| Freddie Hubbard | Ride Like the Wind |
24
|
18
|
|
| John McLaughlin | My Goals Beyond |
34
| ||
| Material | Memory Serves |
32
| ||
| Various Artists | The Musicians Guide, Vol 1 |
41
| ||
| Bobby McFerrin | Bobby McFerrin |
41
| ||
| Clifford Brown & Max Roach | Pure Genius, Vol 1* | |||
| Bud Powell | Inner Fires* | |||
| Billy Cobham's Glass Menagerie | Observations & |
23
|
11
|
|
| Mose Allison | Middle Class White Boy | |||
| Dexter Gordon | American Classic |
19
|
17
|
|
| David Sancious | The Bridge |
36
| ||
| Woody Shaw | Master of the Art |
42
| ||
| Various Artists | The Musicians Guide, Vol 2 | |||
| Joe Albany | Portrait Of An Artist | |||
| Tom Scott | Desire |
7
|
||
| Chico Freeman | Tradition In Transition |
31
|
15
|
|
| Sphere | Four In One |
41
| ||
| Various Artists | Echoes Of An Era 2: The Concert* |
29
|
15
|
|
| Jimmy Smith | Off The Top |
5
|
6
|
Artist
|
Album
|
Billboard Jazz Chart | CashBox Jazz Chart |
|---|---|---|---|
| Bill Evans | The Paris Concert: Edition One* |
19 |
15
|
| Chick Corea | Again and Again |
15
| |
| John Klemmer | Finesse |
10
|
4
|
| Kevin Eubanks | Guitarist |
32
| |
| Ron Carter | Etudes |
42
| |
| Charles Lloyd Quartet | Montreux 82* | ||
| Bill Laswell | Baselines | ||
| Steps Ahead | Steps Ahead |
24
|
12
|
| David Amram and Friends | Latin-Jazz Celebration | ||
| Various Artists | The Young Lions*† |
18
|
|
| Billy Cobham's Glass Menagerie | Smokin′* |
41
|
15
|
| Mose Allison | Lessons In Living* | ||
| Eric Gale | Island Breeze |
35
|
14
|
| Red Rodney & Ira Sullivan | Sprint* | ||
| Various Artists | Griffith Park In Concert*† |
29
|
|
| Lennie Tristano | New York Improvisations | ||
| Sadao Watanabe | Fill Up The Night |
19
|
7
|
| Woody Shaw | Night Music* | ||
| Dizzy Gillespie | One Night in Washington* | ||
| Jimmy Smith | Keep On Comin′* |
35
| |
| Lee Ritenour | On The Line |
12
|
3
|
| Sphere | Flight Path |
Artist
|
Album
|
Billboard Jazz Chart | CashBox Jazz Chart |
|---|---|---|---|
| Bill Evans | The Paris Concert: Edition Two* |
37
| |
| Various Artists | In Performance at the Playboy Jazz Festival*† |
35
|
20
|
| Bill Evans | Living in the Crest of a Wave |
42
|
19
|
| McCoy Tyner | Dimensions |
43
|
18
|
| Steps Ahead | Modern Times |
11
|
9
|
| Chico Freeman | Tangents | ||
| Bobby McFerrin | The Voice* |
24
|
19
|
| Steve Morse Band | The Introduction |
15
|
6
|
| Stan Getz & Albert Dailey | Poetry |
* indicates live recording
† indicates 2 LP set
Labels:
1982
,
1983
,
1984
,
Elektra/Musician
,
jazz charts
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