Showing posts with label DeBarge. Show all posts
Showing posts with label DeBarge. Show all posts

Thursday, July 23, 2020

MFD Not-So-Random Five #20


In which I select five songs from 1976-1985 based on an arbitrary theme. (Not to be confused with this blog's Random Five feature, a different exercise in arbitrariness). Today's theme: 1985 singles that just missed the Billboard Top 40.


  1. "To Live and Die in L.A." by Wang Chung (peaked at #41)
    This movie theme fared better on the Rock charts, peaking at #21, and previously on this blog where it was named the 26th best single of 1985. Ominous and driving, this dense dance tune perfectly captures the mood of the film (disclaimer: I've only seen the first 30 minutes of the movie).

  2. "We Close Our Eyes" by Go West (peaked at #41)
    This dance track peaked at #5 on the dance chart and #15 on my 85 of '85 list. What a synth hook! That thing hits you in the face about 7 seconds in. Lots of over-produced synth hits, pads, and effects throughout - the producer (Gary Stevenson) was having fun trying to be Trevor Horn. All this over a driving, danceable, eighth note beat. And then we get a nice bridge that goes right back into that sweet synth hook.

  3. "You Wear It Well" by El DeBarge with DeBarge (peaked at #46)
    The third single from the Rhythm of the Night album. That synth chord progression at the intro and then things go up a notch in the pre-chorus. Guitar solo from Jesse Johnson of The Time. While it didn't make the Top 40, it did top the Billboard Dance chart and peaked at #7 R&B. Sounds like something from a club scene in an episode of Miami Vice, but instead was relegated to The Facts of Life with a disinterested George Clooney:


  4. "Black Cars" by Gino Vannelli (peaked at #42)
    I had always thought of Vannelli as a soft rocker and then I heard this tune. It peaked at #34 rock and #15 dance, while I placed it at #50 for the year. Lots of guitar and synth hooks and while the drum sound dates it a bit, there's no denying this thing is danceable. Speaking of dancing, in the summer of 1985, I was home from college working during the day and trying to enjoy my nights. One night, I was hanging out with a high school buddy (who I'll call Brent) when he got a phone call from another friend (who I'll call Steve) inviting us to a party where we were promised the presence of girls. Lots of girls. What 19-year-old boy could refuse? Brent and I traveled to some local apartments where we met Steve. As luck would have it, we were the only 3 males in a sea of females. I soon found out why - we were at a bachelorette party and Steve was the "entertainment." When he started dancing/stripping, I got uncomfortable and left. The song Steve chose to dance to? Gino Vannelli's Black Cars.

  5. "20/20" by George Benson (peaked at #48)
    In which Benson tries his best to sound like Al Jarreau. In other words, this was squarely in my wheelhouse in 1985. Fairly generic with a DMX drum machine, saved at the end with a vocalized guitar solo from Benson. It was good enough to peak at #15 R&B and #15 AC while placing at #82 for the year for me.


Thursday, April 26, 2018

Rock Short Takes, June 1985


Click on the image below to open a pdf file of the "Rock Short Takes" album reviews from Musician magazine's June, 1985 issue. Artists include The Power Station, DeBarge, Nik Kershaw, and Greg Kihn.


Friday, January 3, 2014

DeBarge - Time Will Reveal (1983)


Time Will Reveal
b/w I'll Never Fall in Love Again

Released: 1983 (Gordy)
Written by: Bobby DeBarge, Etterlene "Bunny" DeBarge
Produced by: El DeBarge
Album: In a Special Way

 U. S. Billboard Charts:
 Hot 100 18
 R&B 1
 Adult Contemporary 12



In a recent discussion with a another music blogger, I defined the "golden age" of soft rock as including the years 1970-83, so this little slice of soft rock perfection just gets in under the wire. DeBarge may have had bigger hits (Rhythm of the Night, Who's Holding Donna), but they never produced a better song than Time Will Reveal.

As simple love song, the lyrics are rather generic, but the melodies are absolutely gorgeous. El DeBarge's falsetto vocals are exquisite and the arrangement is flawless - from the electric piano to subtle string parts to 3 part harmony backing vocals to a flugelhorn solo worthy of any Bacharach single, it all fits perfectly.

In 1983, I was (unsuccessfully) cultivating a New Waver image, so I couldn't publicly admit to liking this song, but there was a copy of the In A Special Way album in my household at some point. I'm not confessing to anything illegal here, but I will say that when I discovered Napster in 2000, this was one of the first songs I sought out.